Today the American Folklife Center announced the online publication of the Lomax Family manuscripts. This project begins today, with access to 25,000 pages created primarily by Alan Lomax during the 1940s and 1950s on the LOC website here.
After 1942, when Congress cut off the Library of Congress’s funding for folk song collecting, Lomax continued to collect independently in Britain, Ireland, the Caribbean, Italy, and Spain, as well as the United States, using the latest recording technology, assembling an enormous collection of American and international culture. In March 2004 the material captured and produced without Library of Congress funding was acquired by the Library, which ‘brings the entire seventy years of Alan Lomax’s work together under one roof at the Library of Congress, where it has found a permanent home.’
God moves on the water
Lightnin’ Washington (vocalist), John A. and Alan Lomax, recordists. Lightnin’ Washington was an African American prisoner in the prison hospital at Darrington State Farm, Texas in 1935 when this was recorded.
Alan Lomax lived from 1915 to 2002 and worked with artists to contribute almost 500 audio recordings to the Library of Congress including these from the 1930s:
Whistling Blues – Meade Lewis
Boogie-Woogie Medley – Albert Ammons
John Henry – Gabriel Brown
During the next year over 350,000 pages from the 100 archival collections documenting the work of John A. Lomax Sr., Ruby Terrill Lomax, Alan Lomax, Bess Lomax Hawes, and John A. Lomax Jr. will become available to the public through the Library of Congress website.
The Library of Congress has enjoyed a long association with the Lomax family, beginning in 1933 with John A. Lomax’s appointment as Honorary Consultant and Curator of the Archive of American Folk-Song, and his son Alan’s appointment as “Assistant-in-Charge” of the archive in 1937. Te duo made long, swooping trips through the United States and Caribbean, documenting American culture in its diverse manifestations. Alan’s career from the 1940s to the 1990s generated a large archive that the Library acquired after his death in 2002. The children of Bess Lomax Hawes, Alan’s equally accomplished sister, donated her materials to the Center in 2014.
With this presentation, years in the making, the American Folklife Center is delighted to provide comprehensive online access to the papers of the first family of 20th century American Folklife.
For the first time researchers have online access to the writings of the Lomax family: the field notes, logs, and indexes related to these unparalleled collections, as well as their correspondence and their academic and creative writing projects.
Today you can flip through Alan’s 1942 field notebook made during his famed trip with a Fisk University team to the Mississippi Delta. Page 18 documents his interview of 29-year-old Muddy Waters. He writes, “Been knowing Son House since ’29. Learned how to play bottle neck from him by watching him for about a year.”
As substantial as they new online resources are, these 25,000 pages are only the beginning. Upcoming phases of the project will include the logs to Alan’s sound recording collections, Lomax family correspondence, Alan’s massive Performance Style studies, and the manuscripts of Bess Lomax Hawes. Everything will be accompanied by subject guides to assist researchers as they explore this unique corpus. We will let the readers of Folklife Today know when new increments become available.
Top image: The Lomax siblings (Alan Lomax, Bess Lomax Hawes, Shirley Lomax Duggan, and John A. Lomax Jr.) – from the Bess Lomax Hawes collection.